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・ Égligny
・ Église chrétienne protestante française-allemande de Bruxelles
・ Église d'Auteuil (Paris Métro)
・ Église de Jésus-Christ
・ Église de la Madeleine (Aix-en-Provence)
・ Église de la Madeleine (Besançon)
・ Église de Pantin (Paris Métro)
・ Église des Dominicains de Wissembourg
・ Église du Bon-Pasteur
・ Église du Saint-Esprit
・ Église du Saint-Esprit (Aix-en-Provence)
・ Église du Saint-Esprit (Paris)
・ Église fortifiée de Domfessel
・ Église gallicane
・ Église Notre Dame (Clisson)
Édouard Manet
・ Édouard Mantois
・ Édouard Manès
・ Édouard Marcelle
・ Édouard Marie Heckel
・ Édouard Martin
・ Édouard Masson
・ Édouard Mathé
・ Édouard Maunick
・ Édouard Meunier
・ Édouard Michel du Faing d'Aigremont
・ Édouard Michelin
・ Édouard Michelin (born 1859)
・ Édouard Michelin (born 1963)
・ Édouard Mignan


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Édouard Manet : ウィキペディア英語版
Édouard Manet

Édouard Manet ( or ; ; 23 January 1832 – 30 April 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
His early masterworks, ''The Luncheon on the Grass (Le déjeuner sur l'herbe)'' and ''Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the genesis of modern art.
==Biography==
Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. He married Suzanne Leenhoff in 1863. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters.

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